Once they were a single race: The elves say they were elves, the eladrin say they were eladrin. The drow say they were debased, unfinished, and fatally flawed, and would have stayed that way but for the help of Lolth.

In the younger days of creation, a fey race walked the borders between the world and the Feywild. Corellon and the two sisters, Sehanine and Lolth, delighted in this race, for all three gods saw in them the qualities they most valued. Corellon prized them for their artistry, their innate sense for the ebb and flow of magic, their song, and their fierce anger in battle. Sehanine loved their stealth, their gentle footsteps in the shadows of the forest, and their curiosity and wonder at the newborn world. And Lolth particularly enjoyed those who sought power and seized it, who spied and schemed to achieve their goals, who showed no mercy to their enemies or their rivals.

For this young race, like most of the fey, had a very different sense of morality from that of other races. Moradin, Pelor, and Bahamut taught their followers the noble path of law and good, encouraged them to shun evil, value life, and build societies that protected their weaker citizens. The elves, though, were as changing as the seasons and the moon, mercurial in their passions. Corellon taught them to love beauty and savor life but to kill in an ecstatic fury of blasting magic and whirling blade when they faced their enemies in battle. Sehanine taught them to find their own paths without any particular ethical code. And Lolth extended Sehanine's doctrine to its extreme, teaching the elves to place their own goals above all other cares and to stop at nothing to achieve them.

The elves as a race were neither good nor evil -- they didn't think in those terms. They enjoyed beauty and pleasure, and many of them found pleasure in kindness and beauty in every facet of life, and so acted in good ways. Still, they might inflict pain or even death, not out of cruelty, but purely out of curiosity. Others found pleasure in causing pain, and turned their path to evil.

Sehanine, god of the full moon, was fair-skinned and dark-haired, while Lolth, god of the new moon, was the opposite. As the race of elves spread and built their first cities, Lolth marked her favorites -- those elves who delighted in murder and destruction -- by matching their coloration to hers. Even before Lolth's rebellion, these dark-skinned elves began to claim the name of drow, an ugly Elven word that refers to the things that haunt the night.

Up to this point, the legends and histories of the three races mostly agree. Some details may differ -- most notably the name by which the unified race was known -- but the broad outline is the same. With the rebellion of Lolth, however, the histories diverge. They agree on the fact of Lolth's revolt: She turned against her sister and Corellon and led her chosen ones in battle against the other elves. The reason for her revolt is less clear. The most common legends include the following:

-Lolth grew tired of sharing her power and authority with Sehanine and tried to kill her sister, to claim the shadows and the moon as her exclusive domain.
-Lolth was jealous of the affection between Corellon and her sister and tried to kill one or the other of them.
-Lolth descended into the Elemental Chaos and even plumbed the Abyss in a search for knowledge or power, and she made alliances with demons -- and then Corellon and Sehanine sought to punish her blasphemy.
-Or Lolth believed that her chosen people should rule the elf race and led them to seize power, which only then resulted in conflict among the gods.

Whatever the reason for the revolt of Lolth and the drow, the consequences were devastating. War tore through the shining fey cities and consumed the woodlands of the world with fire. Some say that the world and the Feywild grew more distant from each other, making passage between them more difficult and driving a wedge between the elves who favored one over the other. Ultimately, the drow were cut off and banished from elf and eladrin communities, driven into the dark places of the world, the Feywild, and the Shadowfell. Lolth made her home in the Abyss, taking the title of the Demon Queen of Spiders.

By the end of the rebellion, the elves, the eladrin, and the drow were three distinct races. Each was shaped by the nature of their home and the favor of their gods.

Elves: A Closer Look
Whatever the history and legend of their origin, the elves of the present day are very much creatures of the world. Though still fey in their nature, they are attuned to the world and its primal power, at home in the woodlands, and they live in harmony with the beasts and trees that share their home.

Since the revolt of the drow, the elves have walked quietly over the earth, leaving little trace. As kingdoms and empires grew and collapsed -- the human realm of Nerath, the dragonborn Arkhosia, the tiefling Bael Turath, and countless nations before them -- the elves remained in their woodland homes, mostly unaffected by the rise and fall of nations. On a few occasions, the eladrin built kingdoms in the world. Sometimes these kingdoms sought cordial relations with their elf neighbors, and elves and eladrin lived as close as they ever had since Lolth's rebellion. At other times, the eladrin tried to force the elves into a reunion of the races and met bitter resistance. There can be no doubt, now, that the two races will never again be one.

Shunning kingdoms of their own, the elves no longer build cities as their ancestors did, but make their homes among the trees. They live in family or clan units, sleeping in tents or under the stars as they range through the forests and gather what they need to survive. At other times, they in temporary villages built on platforms in the branches, linked by vines and ropes -- almost a natural part of the trees themselves. They roam with the seasons, following animals on their migrations or journeying to where fruits and nuts grow in greatest abundance. At least twice a year -- at midsummer and midwinter -- elf families and clans gather together to observe the turning of the seasons, share stories and news of the recent months, and celebrate marriages, births, and deaths.

In the darkness that has been growing since the fall of Nerath, the elves find it more and more difficult to maintain their traditional ways. Many of their forests are no longer safe even for their keen-eyed archers and hardy warriors. Some forests have burned to their roots, driving the elves to find safe refuge in the better-defended settlements of other races. Where, in the past, it was unusual to find elves in human towns except as traders, now many elf families have taken up permanent residence among humans, halflings, and even dwarves, joining with these other races for protection against the darkness.

As a race, elves are fleet of foot and agile. Though they are by no means stupid, they do not place the same value on learning and intellect that their eladrin cousins do. Rather, they value the wisdom of years and the truth of intuition and insight. Their more comic legends are full of eladrin who are puffed up with their own knowledge but lack even a modicum of common sense, and cunning elf heroes who trick their foolish cousins.

Elves share a passionate and emotional nature with many of their fey cousins. They experience feelings deeply and intensely, and their emotions are often mercurial. An elf can swing from wailing grief to heartfelt laughter in a moment, and as quickly to burning rage. They make bitter enemies, sometimes clinging to grudges through long generations, but they are reliable and compassionate friends who remember gratitude longer than wrongs.

Many elves still revere Corellon and (particularly) Sehanine, but many others worship Melora, god of the wilds where they make their homes. Even those elves who drift toward evil rarely turn to Lolth. The legend of her rebellion stings too much. Instead, they worship the Raven Queen, Zehir, or occasionally savage Gruumsh.

For many elves, the gods are not much different from the clan elders who have moved on from this life to another. They remember the gods in thanks and might pray for insight, but not many elves become champions of any god's ideals as a cleric or paladin. They are not as fascinated with arcane magic as their eladrin cousins, often growing impatient with its intricacies and precision. They are drawn more to mastery of primal power, which keeps them attuned to the natural world with its spirits and forces. Elf rangers, rogues, druids, and barbarians are the most common adventurers.

Eladrin: A Race Apart
The eladrin claim to be the original race from which both elves and drow split, with the (usually) unspoken implication that both other races fell away from the state of near-perfection that the eladrin embody. Certainly, the eladrin are still the most fey of the three elf races, still steeped in the magic of the Feywild and still the favored children of Corellon. Arcane magic suffuses their bodies and souls, sometimes emanating from them in a soft nimbus of fey light.

Many races of the world can look back in history to a shining example of their ancestors' accomplishments: the dragonborn empire of Arkhosia or the human realm of Nerath, for example. When the eladrin reflect back on their days of glory, they think first and foremost of the time before Lolth's rebellion, when the whole Feywild shined with the light of the eladrin cities. Those cities now lie in ruins, still hauntingly beautiful among the fey forests with moonlight shining on their shattered spires and ivory walls, but haunting in their testimony to the violence of the rebellion.

Eladrin still build towers of graceful beauty in the grandest places of the Feywild -- breathtaking gorges and verdant glens -- and sometimes even among the ruins of their ancient cities. But no eladrin city of the present day, or of the past hundred centuries, can compare to the heights of the eladrin race in that mythic time before. Eladrin cities of the present day are usually little more than a single ivory spire rising above a scattering of smaller homes, all built in perfect harmony with their surroundings as if carved from the earth by wind and rain.

There have been times in the history of the world when eladrin tried to rebuild the ancient glory of a united race, extending their city-states into the natural world and making overtures to nearby elf communities. These dreams of kingdoms that would bridge the worlds have always crumbled to dust with the passing of years, usually within the span of a single generation.

Eladrin society has more in common with the human structures of nobility and rulership than it does with the family-based society of the elves. Noble houses ruled by eladrin with titles such as Bralani of Autumn Winds or Ghaele of Winter govern tiny princedoms scattered across the Feywild. The eladrin swear loyalty to their noble protectors, who promise to help defend them against fomorians and other dangers of the fey darkness. Unlike human rulers, these noble eladrin wield tremendous power derived from a close connection to the magic of the Feywild, so their tiny city-states do remain as lights, however dim and flickering, standing against the encroaching darkness.

Eladrin share the grace and agility of their elf cousins but place more value on the developed intellect than on intuition and emotion. All eladrin are scholars to some degree, versed in the history of their race and the theories of magic and more inclined to calculate possible solutions than to run with a gut feeling.

The eladrin can seem cold and emotionless to outsiders, if sometimes capricious, and they are certainly less passionate than the elves. Their grief manifests as a wistful melancholy, their pleasure as a soft smile, and their anger as a simmering glare. Much like the elves, they have long memories for both gifts and grudges.

Most eladrin worship Corellon and Sehanine. Some temples in the Feywild are still arranged as they were before Lolth's rebellion -- built as three interlocking circles, each with its altar to one of the three elf gods. In most of these temples, Lolth's altar has been destroyed or defaced. Sometimes it is draped with black cloth to hide it from view, and sometimes it is visible but simply unadorned. There are eladrin who believe that the three gods will one day be reconciled, just as the three races will again be one.

Some say that Corellon's dominion of Arborea lies in the Feywild, while others claim it floats in the Astral Sea. It's possible that it drifts between the worlds or somehow exists in both places at once. To the eladrin mind, Arborea is perhaps not so different from the court of any noble eladrin -- larger and more magnificent, perhaps, but a place where any eladrin would feel at home, even in the presence of so great a lord as the noble Corellon. Sehanine, it's said, wanders freely in and out of Corelllon's home but spends much of her time in the Feywild, where travelers might stumble across her path. Some who attend one of Sehanine's moonlit feasts are said to become lost for centuries, while others awaken after a single night to find themselves blessed with gifts and powers beyond their imagining.

More so than the elves, eladrin sometimes become champions of a god in much the same way that one might become a fey knight in service to a noble eladrin. Divine magic is not alien to the eladrin, but arcane magic is their love and part of their nature. Eladrin wizards are far more common than warlocks, sorcerers, or bards, but any form of arcane magic is a source of endless fascination for the race.

Noble Eladrin

The lords and ladies that rule the eladrin are powerful fey who embody the character of the race. Their magic is tied to seasons and emotions. A ghaele might lash out with a blast of wintry cold, while a coure sows strife among her enemies. They are enigmatic and aloof and can be very capricious, especially when mortals venture into their domains. The tale of Ferrin Toth, a human wizard who ventured into the Feywild seeking arcane secrets, illustrates the nature of the noble eladrin.

Proud of his knowledge and confident in his arcane power, Ferrin Toth used a ritual to transport himself into the Feywild. After parting the veil between worlds, he found himself in a lovely valley with a crystalline spire rising beside a sparkling waterfall at the valley's head. He presented himself at the palace gate in the late afternoon, asking for an audience with the ruler of the place.

Two women escorted him into the presence of their lord Immeral, Firre of Passion. Warm braziers lit the audience hall against the approaching twilight and fire seemed to dance in the opalescent eyes of the eladrin lord. He welcomed the human wizard graciously, descending from his throne to escort the traveler on a tour through the palace. Ferrin lingered by the doorway to the eladrin's magnificent library, but Immeral told him he could explore the library in the morning. Ferrin tried to protest -- there was still enough daylight for him to read -- but the eladrin wouldn't hear him. He hurried Ferrin to a luxurious guest room, warned him not to leave the room until dawn's light burned on the horizon, and left him alone.

Ferrin couldn't sleep. His glimpse of the lord's great library tormented him, and desire to plumb its secrets consumed him. When the palace was silent and the full moon glittered in its spires, Ferrin crept from his room and tried to retrace his steps to the library. As he walked, the corridors seemed to twist in on themselves, and soon the gleaming crystal walls melted into thickets of briars. He wandered through what had become a labyrinth until dawn began to brighten the sky. Then the two women who had brought him to the lord's audience hall stepped out of the thickets. Their lovely faces and forms vanished in a flash, revealing monstrous creatures of wood and vine, swinging arms like mighty cudgels at him.

With a word of refuge, Ferrin returned to the sanctum of his own tower. But the vision of the Firre of Passion's library haunted him. Every night he tossed and turned on his bed, thinking of the library and the wonders he had glimpsed through its doorway. Every morning, when dawn's light burned on the horizon, he thought he stood again in that doorway, and hope surged in his chest -- but as soon as the sun rose above the distant hills, his vision cleared and he was still in his tower. Many times he returned to the Feywild, but he was never able to find Immeral's palace again.

The drow are creatures of evil and darkness, exiles banished to the subterranean realms beneath the Feywild, the world, and the Shadowfell. Their ties to the forests and valleys of nature are cut, and they live by cruelty and domination, no longer in harmony with the beasts of the wild.

The drow build their cities deep underground, their slender spires and feylit towers echoing or mocking the graceful eladrin cities of the Feywild. Their society is a study in paradox. Within a drow city, various families or houses hold power. A drow without a connection to one of these houses is an outcast, and members of other races are rarely anything but slaves to these houses. The drow are inclined to empire, unlike their cousins, and the well-ordered houses would perhaps conquer both the Underdark and the surface world were it not for Lolth and her priests. Lolth is a god of treachery and chaos, and at her urging, her priests lead the house matrons in constant battles for dominance. Even when a single house manages to cling to power for an extended time, it must be constantly vigilant against the threat of a lesser house trying to claim its position, and struggles among the lesser houses prevent the city from acting in anything like a concerted effort toward conquest.

Drow share the agility of their cousins, which they often put to use in stealth and trickery. Although they are no taller than eladrins, they have a presence that often makes members of other races feel smaller and on edge -- a fury seems to be at constant boil behind their blank white eyes, ready to explode at the slightest provocation. Like the elves, their moods can change in an instant, most often transforming into blind, murderous rage.

The drow remain Lolth's own, and they tolerate the worship of no other god. The names of Corellon and Sehanine are blasphemy to a drow's ears, and even a euphemistic reference to either god is accompanied by spitting on the ground. The drow revere spiders because Lolth chose them as her symbol, and they traffic with demons because Lolth has made some demons her servants. The priests of Lolth hold political as well as spiritual power, serving as advisers to the house matrons if not actually filling that position themselves. Drow society revolves around Lolth, though it means a constant state of civil upheaval.

While elves and eladrin are inclined to view the gods as simply a greater form of their own lords and elders, the drow give Lolth their unquestioning devotion. Far more drow follow divine paths to become clerics or paladins than either elves or eladrin do -- perhaps in part because of the temporal authority that comes with service to Lolth but also for the opportunity to commune more closely with their god and savor her power flowing through them. They have not forgotten their heritage of arcane study, however, and produce many mighty wizards and warlocks. While religion and politics are primarily the arena of women among the drow, the arcane masters of the race are mostly men.

The more high-minded elves and eladrin sometimes take a compassionate view of the drow, perhaps believing that the three races might one day be reunited. The drow, on the other hand, permit no such weakness of thought, as they see it. Whatever their short-term plans of conquest or rebellion, the drow long for the day when they will exterminate their kindred, obliterating the stain of elves and eladrin from the world and the Feywild. Only occasionally do these dreams manifest in any kind of action, but drow have been seen fighting alongside fomorians in the Feywild.

Without a doubt, the aspirations of the drow echo the dreams and schemes of Lolth, the Spider Queen. In her Abyssal domain of the Demonweb Pits, she sits and waits, plotting the day when she can snare her sister and Corellon in her webs and finish the work she started at the dawn of time.

And then the three races will be only one.

если есть возможность перезалейте на нормальный сайт пжл

Traps have been a part of the Dungeons & Dragons game since its earliest days, fiendish perils that stood right alongside monsters as primary hazards to adventurer life and limb. Some adventures, like the classic Tomb of Horrors, featured traps as the chief threat to life and appendage. Unfortunately, they've rarely had a positive effect on the game. In the early days, DMs all too often felt compelled to demonstrate their cleverness and punish players for making "wrong" choices -- even a choice as simple and random as which passage to explore. Old-school players in the hands of such a DM responded by changing their characters' approach to dungeon exploration. The "right" way to play the game was to slowly and laboriously search each 10-foot square of dungeon before you set foot on it, or to use magic that made traps completely pointless. Neither option was much fun.

By the time 3rd Edition rolled around, traps had become a much smaller part of the game, something you might run across once or twice in an adventure -- and rarely very satisfying when you did. Who wants to roll an endless series of mostly pointless Search checks? If the players decided to simply explore the dungeon and search for the "fun" and got whacked by a trap instead, they felt like they'd been sandbagged by the DM.

Consequently, we thought about simply "disappearing" traps from the game, but then we decided to take a shot at fixing them first. Making traps work right certainly offered some significant upside. Traps are a good way to showcase skills. They're a good way to introduce puzzle-solving into the occasional encounter. They're an excellent way to complicate an otherwise bland combat encounter and add a highly interesting hazard that players can exploit -- or must avoid. And sometimes it simply makes sense in the context of the story that the builders of a dungeon might have built a trap to guard something.

The first thing we did was spend more time and attention on traps as components of existing combat encounters, or as multi-component encounters in and of themselves. The Encounter Trap system described in the Eberron sourcebook Secrets of Xen'drik offered a great starting point. By treating a trap like a group of monsters with different components operating on different initiative scores, a trap became a real encounter rather than random damage. Most traps work best when they "replace" a monster in a combat encounter, or serve as a hazard equally threatening to both sides. We think that our ideal encounter consists of some of the PCs battling monsters while some PCs deal with a trap or similar hazard. Meanwhile, everyone on both sides of the battle must contend with some sort of interesting terrain element (although the advantage probably lies with the monsters there -- after all, this is their home). In this way, traps become an integral component of an encounter, rather than an afterthought or something a bored DM springs on unsuspecting PCs between fights.

The second significant change to traps in the game is changing the way we look at searching and exploring. Rather than requiring the players to announce when and where they were searching, we decided to assume that all characters are searching everything all the time. In other words, players don't need to say "I'm searching for secret doors," or "I'm searching for traps." Instead, characters have a passive Perception score that represents their Take-10 result for searching. When something hidden is in the area, the DM compares the passive Perception scores of the PCs with the DCs of the various hidden things in the area. In the case of hidden creatures, the DC is the result of their Stealth check. For things like hidden traps, hazards, or secret doors, the DC is usually static.

While Perception is usually the most important skill when it comes to sussing out a trap, it's not the only skill useful in determining the danger of traps. Based on the nature of the trap, skills such as Arcana, Dungeoneering, or even Nature can give a PC the ability to learn of the existence of a trap, figure out its workings, or even find a way to counter it.

Lastly, we wanted to expand the ways in which you could counter a trap. Much like figuring out that sometimes you wanted other skills to allow a character to recognize a trap's threat, we made an effort to design traps that could be countered with an interesting skill uses. Sometimes we're pointing out what should be obvious, such as that an Acrobatics check can be used to jump over a pit; other times we're going to expand the uses of some skills with opportunistic exceptions, like granting a skill check that gives the characters insight on how a trap acts and ascertain something about its attack pattern.

Don't fret, rogue fans. That class and other characters trained in Thievery are still the party's best hope to shut down traps quickly and well. The goal was to make traps something that could be countered when a party lacks a rogue or the rogue is down for the count, not to mention make traps more dynamic and fun. In doing this, we quickly came to the realization that canny players, in a flash of inspiration, can come up with interesting solutions to counter even the most detailed traps. Instead of trying to anticipate these flashes though design, we give you, the DM, the ability to react to player insight with a host of tools and general DCs that allow you to say "Yes, you can do that, and here's how." We think this is a better approach than shutting down good ideas from the players for interesting story and challenge resolution, simply because you lack the tools to interpret their actions. After all, you should have the ability to make the changes on the fly that reward interesting ideas and good play. This is one of the components of every Dungeons & Dragons game that allow each session to be a fun and unique experience. Traps, like all things in the game, should embrace that design philosophy.

Roll 20.

Simple enough, right? Just one number to remember. And more importantly, just one roll.

Yes, the confirmation roll is gone. So why did we get rid of it? Because we, like so many players, had rolled crits only to have the confirmation roll miss. And we didn't like it. We don't think that many people did. (I look forward to reading the posts of people who disagree.) Having one roll is faster, and it's more fun. It keeps the excitement of the 20, and ditches the disappointment of the failure to confirm.

Critical Damage
Here's the part that's going to take some getting used to: Critical hits don't deal double damage. This changed because doubling everything 5% of the time led to some pretty crazy spikes that were very unpredictable.

Let's say you roll a crit with a power that deals 1d10+4 normally. So the crit deals 2d10+8. The next turn, the monster attacks you using a power that deals 3d6+4 damage. He crits, dealing 6d6+8. Between the extra dice and the doubled ability modifier, that's a pretty huge difference! (And a pretty painful one.)

Instead, when you roll a critical hit, all the dice are maximized. So your 1d10+4 power deals 14 damage and the monster's 3d6+4 deals 22. Generally speaking, randomness is more of an advantage to monsters than PCs. More predictable critical damage keeps monsters from insta-killing your character.

Having maximized dice also helps out when you have multitarget attacks. You'll roll an attack roll against each target, so maximized dice keep you from needing to roll a bunch of dice over and over -- you can just write your crit damage on your character sheet for quick reference.

Beefing Up Your Crits
PCs also have some extra tricks up their sleeves to make their criticals better. Magic weapons (and implements for magical attacks) add extra damage on crits. So your +1 frost warhammer deals an extra 1d6 damage on a critical hit (so your crit's now up to 14+1d6 damage in the example above). Monsters don't get this benefit, so PC crits outclass monster crits most of the time.

Crits can be improved in a couple of other ways. Weapons can have the high crit property, giving extra dice on a crit. Like this:

Weapon - War pick
Prof. - 2
Damage - d8
Range - --
Cost - 15 gp
Weight - 6 lb.
Category - Pick
Properties - High crit, versatile

In addition, some powers and magic items have extra effects on a hit. So crits are doing just fine without all those dice.

Crits in Play
In playtest, it does seem like critical hits come up more often. The subtitle of this article is stolen from Chris Tulach, who sings a bit of, "It's Beginning to Look a Lot Like Crit-mas" whenever the natural 20s come out to play. Fortunately, hit points are higher, especially at low levels, so there's a bigger buffer to keep those crits from killing people too quickly. It still feels great to roll one, but the fight goes on.

We've tried to corral the numbers but keep the feel that a critical hit is a special event. So grab your d20 and your big, nasty magic axe, and get ready to crit for the fences!

Упс, уже выкладывали. Я что-то не заметил.

Items are divided by item slot, much like they were in D&D 3.5 (though it took until Magic Item Compendium for the system to be quantified clearly). As before, you can only wear one item in each slot. The number of slots has been reduced (by combining slots that were similar), to keep the number of items manageable and easy to remem-ber. You still have a ton of choices for items in the game, and when we were still using more slots, our playtesters reported that it caused information overload.

Primary Slots
We've preserved a number of items that have traditional “plusses.” These are the items we expect everybody to care about, and the ones that are factored into the math behind the game. If you’re 9th level, we expect you to have a set of +2 armor, and the challenges in the game at that level are balanced accordingly. Here are the primary item slots:

Weapon/Implement: Whether you’re swinging a mace or blasting with a magic wand, you have an item that adds to your attack and damage. These weapons also set your critical hit dice (the extra dice you roll when you score a critical hit, see the Design & Development article, "Critical Hits"). Even though this is called an item slot, that doesn’t mean you can’t wield more than one weapon, because that would make the ranger cry. 3.5 Equivalents: Weapons, holy symbols, rods, staffs, wands.

Armor: This category now includes cloth armor, so the wizard in robes has magic armor just like the rest of the group. Magic armor adds an enhancement bonus to your Armor Class. 3.5 Equivalents: Body, torso.

Neck: An item in the neck slot increases your Fortitude, Reflex, and Will defenses, as well as usually doing something else snappy. The most common items are amulets and cloaks. 3.5 Equivalents: Shoulders, throat.

Secondary Slots
These items don’t have enhancement bonuses. That makes them essentially optional. You could adventure with no items in your secondary item slots and not see a huge decrease in your overall power. Take what looks cool, but don’t worry about having empty slots.

Arms: These are bulky items that fit over your arms, such as bracers, vambraces, and shields. You’ll notice that shields no longer have an enhancement bonus. Instead, shields have special defensive effects and items you wear instead of shields, like bracers, are more offensive. 3.5 Equivalents: Arms, shields.

Feet: Focused on mobility and special movement modes, you can be pretty sure what you’re getting when you look at magic boots, greaves, or sandals. 3.5 Equivalent: Feet.

Hands: Thinner items that fit on your hands fall into this category. This includes gauntlets and gloves. They usu-ally help out your attacks or help your manual dexterity. 3.5 Equivalent: Hands.

Head: These items increase your mental skills or enhance your senses. Helmets, circlets, and goggles all fall in this category. Another major subcategory here includes orbitals, such as ioun stones. If you see someone with an orbital, it’s a good bet you’re dealing with an epic character. 3.5 Equivalents: Face, head.

Rings: This slot has changed quite a bit. A starting character isn’t powerful enough to unleash the power of a ring. You can use one ring when you reach paragon tier (11th level) and two when you’re epic (21st level). And before you get started about how Frodo sure as hell wasn’t epic, let's be clear: the One Ring was an artifact, not a magic item any old spellcaster could make. Artifacts follow their own rules. 3.5 Equivalent: Rings.

Waist: Items you wear around your waist are usually about protection, healing, or increasing your Strength tem-porarily. 3.5 Equivalent: Waist.

Other Items
Some items don’t use item slots. Some of them aren’t useful in combat. Others can be useful in a fight, but only once in a while.

Potions: Potions are consumable items, and they're mostly focused on healing effects.

Wondrous Items: This category no longer includes wearable items. These are utility items that don’t take up space on your body or act as weapons.

Example

Here’s what my 11th-level gnome warlock, Dessin, is wearing right now:

Implement: +3 rod of dark reward
Armor: +3 leather armor
Neck: +2 cloak of survival
Arms: Bracers of the perfect shot
Feet: Wavestrider boots
Hands: Shadowfell gloves
Head: Diadem of acuity
Rings: None right now, sadly
Waist: Belt of battle
Wondrous Items: Bag of holding

Появились кусочки Worlds and Monsters(книга о работа над мирами и монстрами в 4р.).
Worlds and Monsters
The Feywild
Demons and Such

Each pit fiend is lord of a large domain within one of the layers of the Nine Hells and is vassal to the archdevil who rules that layer. A pit fiend might govern a city, command a fortress, lead a great legion, or serve as a seneschal or counselor for an archdevil. With the exception of Asmodeus, each Lord of the Nine commands no more than a dozen or so pit fiends.

As the lords, barons, viziers, and generals of the Nine Hells, pit fiends rarely confront adventurers in person. They are the progenitors of devilish schemes, and they step in only when important plans go awry or when great plots reach fruition. In the Nine Hells proper, pit fiends command vast numbers of lesser devils. Penetrating the defenses of a pit fiend's castle and destroying the mighty devil in its own demesne is a deed of truly epic proportions.

Description
This hulking devil stands 12 feet tall and has red scales, leathery wings, and a long whiplike tail. It carries a massive mace and wears an ornate breastplate decorated with evil runes and symbols.

Pit Fiend Level 26 Elite Soldier (Leader)
Large immortal humanoid (devil) XP 18,000
Initiative +22 Senses Perception +23; darkvision
Aura of Fear (Fear) aura 5; enemies in the aura take a –2 penalty on attack rolls.
Aura of Fire (Fire) aura 5; enemies that enter or start their turns in the aura take 15 fire damage.
HP 350; Bloodied 175
AC 44; Fortitude 42, Reflex 38, Will 40
Resist 30 fire, 15 poison
Saving Throws +2
Speed 12, fly 12 (clumsy), teleport 10
Action Points 1
Melee Flametouched Mace (standard; at-will) • Fire, Weapon
Reach 2; +31 vs. AC; 1d12+11 fire damage plus ongoing 5 fire damage (save ends).
Melee Tail Sting (standard; at-will) • Poison
+31 vs. AC; 1d6+11 damage, and the pit fiend may make a free followup attack. Followup: +29 vs. Fortitude; ongoing 15 poison damage, and the target is weakened (save ends both effects).
Melee Pit Fiend Frenzy (standard; at-will)
The pit fiend makes a flametouched mace attack and a tail sting attack.
Ranged Point of Terror (minor; at-will) • Fear
Range 5; +30 vs. Will; the target takes a –5 penalty to all defenses until the end of the pit fiend's next turn.
Ranged Irresistible Command (minor 1/round; at-will) • Charm, Fire
Range 10; affects one allied devil of lower level than the pit fiend; the target immediately slides up to 5 squares and explodes, dealing 2d10+5 fire damage to all creatures in a close burst 2. The exploding devil is destroyed.
Infernal Summons (standard; encounter) • Conjuration
The pit fiend summons a group of devil allies. Summoned devils roll initiative to determine when they act in the initiative order and gain a +4 bonus to attack rolls as long as the pit fiend is alive. They remain until they are killed, dismissed by the pit fiend (free action), or the encounter ends. PCs do not earn experience points for killing these summoned creatures. The pit fiend chooses to summon one of the following groups of devils:

8 legion devil legionnaires (level 21), or
2 war devils (level 22), or
1 war devil (level 22) and 4 legion devil legionnaires (level 21)
Tactical Teleport (standard; recharge 4 5 6) • Teleportation
The pit fiend can teleport up to 2 allies within 10 squares of it. The targets appear in any other unoccupied squares within 10 squares of the pit fiend.
Alignment Evil
Languages Supernal
Skills Bluff +27, Intimidate +27, Religion +24
Str 32 (+24) Dex 24 (+20) Wis 20 (+18)
Con 27 (+21) Int 22 (+19) Cha 28 (+22)
Equipment flametouched mace, noble signet ring

Pit Fiend Tactics
A pit fiend fights close to its enemies, catching them in its aura of fear and aura of fire. On the first round of combat, it spends an action point to use infernal summons. It then uses point of terror against a tough-looking foe and tactical teleport to place two allies in flanking positions around that foe. With its remaining minor action, the pit fiend uses irresistible command on an ally within range.

A pit fiend alternates between point of terror and irresistible command, sometimes using both if it has a spare move action it can replace with a minor action. Otherwise, the pit fiend uses pit fiend frenzy, teleporting as needed to gain a better position.

A pit fiend does not sacrifice its life needlessly and makes a tactical retreat if death is imminent.

Pit Fiend Lore
A character knows the following information with a successful Religion check:

DC 25: Pit fiends are the nobles of the Nine Hells. Each pit fiend serves as a vassal to one of the nine archdevils and commands a fortress, city, or army in its master's domain.

DC 30: Once every 99 years, a pit fiend can grant a mortal's wish by performing a terrible ritual. Only the most powerful and promising of mortals are offered such a temptation.

DC 35: Well-known pit fiends include Baalzephon, one of the powerful circle of pit fiends known as the Dark Eight; Gazra, who governs the city of Abriymoch in Phlegethos, the Fourth Hell; and Baalberith, the major-domo of the palace of Asmodeus.